12/5/2023 0 Comments Shadow puppetry for fasnasty![]() ![]() Perhaps performing a new mythology would give an ancient art a bridge into the future.īut the result was anticlimactic. Troupes from five different states were commissioned by these government agencies to develop works that would complement the ancient repertories Gandhi's life was viewed as a modern-day "epic" of sorts. Thus, along with performances of works using the Rāmāyaṇa and Mahābhārata, there were also premieres based on three episodes from Gandhi's life: the forcible eviction of the young Gandhi from the segregated train in South Africa, the Salt March on Dandi led by Gandhi in defiance of British laws, and the Swádēshi (self-reliance) agitation. ![]() Jointly funded by the New Delhi-based Indian government cultural agencies Sangeet Nāṭak Akādemi and the Indira Gandhi National Centre for the Arts, the festival was meant to provide a boost to practitioners of an ancient art who are struggling in the face of the modern era to remain a vital part of the cultural fabric of the nation. The purpose of the festival, however, went beyond these academic concerns. 1 Within the span of a few days one could see how shadow puppetry had survived and where it seemed poised to go next. Non-reserved seating.January 1996 marked an important event in the evolution of shadow puppetry in India: the National Shadow Puppetry Festival at Dharmasthala, Kárnātakā, brought together major troupes representing the six distinct styles from as many regions. Reservations are accepted by e-mail or at the Hara Museum reception counter from March 27. * Ticket-holders may view the current exhibition prior to the start of the performance. General 3,000 yen students and Hara Museum members 2,500 yen each * Final determination will be posted on the Hara Museum website by 11:00 am on the day of the show. Hara Museum Courtyard Garden (or The Hall in the event of rain) His recent work includes Boku no Tanoshii Shigoto (2013/solo album), Ataerareta Mono (2016/album by Yuuki) and Teppei Kaneuji, “Tower” (performance at Roppongi Art Night 2018). He performs internationally in the USA, Europe and Asia. His work ranges from producing for other artists such as Wednesday Campanella, remixes and collaboration with the dancer Masako Yasumoto to composing music for the stage and animated films. In addition to his solo work, he is also an active member of units such as the band Urichipangoon, YTAMO and Yuuki. Born in Nara Prefecture in 1979, Oorutaichi launched his career in 1999 with the creation of music that layered improvised singing in a made-up language over programmed tracks with “hyoryu suru naiteki minzoku” (drifting inner folklore) as the keyword. His recent works include MATA AIR, a solo show of shadow paintings (2015/Sagamihara, Kanagawa prefecture), Hebiwa Hebiwa (2015/Fukushima city, Fukushima prefecture), Kōsetsu Chofukuji Engi (20/Kuma, Yamanashi prefecture) BAM BOO NEST (2016/Yamagata Biennale), Ongatonga (2018/Akita University of Art), Monyet si Nishioka memcari pulau baru (2018/Bali, Indonesia) and Teppen Kaketaka(2018/Iwaki, Fukushima prefecture). He is a leader of the gamelan music unit Taikuh Jikang and the winner of the 2016 Gotoh Cultural Award in the division of Fine Arts. He has also gained much attention for his efforts to preserve traditional stories by presenting them in the form of shadow puppet plays in fieldwork and workshops conducted throughout Japan. He gives shadow puppet and music performances in Asia and throughout the world. Born in Tokyo in 1980, Kawamura studied Wayang Kulit (shadow puppetry) and gamelan (traditional Indonesian percussion music) in Bali, Indonesia for two years. Come experience Kawamura’s mysterious tale that he spins through puppets and simple props through light and shadows created with his entire body and through music. For Kawamura, who has forged a unique style based on traditional wayan krit which he studied in Bali, the art of shadow puppet theater lies within the “interval” between the puppets (reality) and their shadows (unreality), thus serving to connect us to memories that are invisible to our eyes. Working together with local citizens, Kawamura uses shadow puppet theater to revive nearly forgotten folktales and legends and stories lying dormant within our minds. The Hara Museum is happy to present a new work by shadow puppeteer and musician Koheysai Kawamura who will be joined by the musician Oorutaichi. Same-day tickets are available from 11:00 am at the reception desk (Generalģ,000 yen Students/Hara Museum members and up to 2 guests 2,500 yen). Today’s performance will take place in the garden.ĭuring the performance, you may sit on the lawn or move around the screen. Shadow puppetry and music performance by Koheysai Kawamura and Oorutaichi Date(s) : May 18 (Saturday), 19 (Sunday), 2019 Time : 6:30 pm (door opens at 5:30 pm) ![]()
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